罗伯特·德尼罗将携手塞巴斯蒂安·马尼斯科,主演狮门影业喜剧新片[关于我的父亲](About My Father,暂译)。该片由劳拉·特鲁索([飙舞追梦])执导,特鲁索与奥斯汀·厄尔共同操刀剧本。影片根据马尼斯科与父亲的真实经历改编,讲述马尼斯科告诉他老派的意大利移民父亲萨尔沃(德尼罗饰),他要向他的纯美国女友求婚时,萨尔沃坚持要和她的父母一起过周末。两家人在一起的时候,虽然有文化冲突,而且两个家庭似乎没有什么共同点,但在周末结束时,他们成为了一家人。
Актёры Театра Юного Зритепя, Николай Иванович и Зина, в канун Нового Года подрабатывают Дедом Морозом и Снегурочкой. Для Николая Ивановича это не просто заработок - это прежде всего творчество, каждая квартира - это его сцена, его театр. И вот весь вечер Дед Мороз со Снегурочкой поздравляют детей, переезжая из дома в дом, пока не попадают в обыкновенную квартиру, где случается обыкновенное новогоднее чудо...
A struggling writer meets death and falls in love. He must decide if his true love is in this world or the next, and if his dreams of success are worth dying for.
马赛,一名连续作案的变态杀手在一些富人别墅里强暴女子之后,将被害人殴打致死。乾探路易·施耐德奉命展开调查。施耐德因女儿在几年前的一场车祸中丧生、妻子也终身伤残而心力交瘁,他变成了酒鬼。年轻女子茱丝蒂娜因25年前亲眼见到双亲被残酷杀害而难以克服过去的梦魇,而且她得知凶手即将被释放。她因凶手将获释一事而与施耐德走到一起。本片的导演奥利维埃·马夏尔当过警察,他曾于2004年推出《金银匠滨河路36号》(36 QUAI DES ORFEVRES,司法警察局局址)。《MR 73左轮枪》根据他1981年参与调查的一部真实案件改编,片名指的是马努兰厂(MANURHIN)1973年出厂的“巨蟒”357型左轮枪,法国宪警精锐部队都使用这种武器。
Dinda, who is considered strange by the village children because of her strength, accidentally injures Panji and Ambar. She regrets and asks Aunt Donna to register her at the Mata Hati School, so that she can learn to control her power.
史蒂夫(迈克尔·道格拉斯 Michael Douglas 饰)是一位资历老道的特工,儿子马克(瑞安·雷诺兹 Ryan Reynolds 饰)即将结婚,和亲家见面成为了身经百战的史蒂夫目前最大的难题。方便起见,史蒂夫将见面安排在了平时和线人街头的餐厅。史蒂夫的亲家是一个名叫杰瑞(艾伯特·布鲁克斯 Albert Brooks 饰)的足科医生,个性十分温和的他不希望生活中有任何出乎他意料的事情发生,史蒂夫复杂的身份显然不能让他满意,一场意外的发生更让杰瑞下定决心,决不让女儿嫁入这样危险的人家。
第二天,警察找到了杰瑞,并在他的口袋里发现了一块危险的核裂变废弃物,杰瑞因此被逮捕。没想到,这一切正是史蒂夫所为,他不仅救出了杰瑞,还与他一同登上了开往法国的飞机。就这样,杰瑞在愤怒和莫名之中成为了史蒂夫的搭档,不幸的是,充满了惊险和笑料的旅程只是刚刚开始。
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself “already dead.”
A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.